My Embodied Voice course is intended to give anyone who wants them the tools and the sensory-motor awareness necessary to speed up the development of their unique instrument, and their ability to play it with skill – I always do my best to instil the curiosity and confidence necessary to explore the human voice to its full potential.
In my mission to discover the full potential of sound-making, singing, and the human voice, it has become more and more clear over the years that the ability to maximise our hearing by improving the way we listen is a vital element of both the tonal qualities available to us when we vocalise, and the ease with which we produce our voice in speech and song.
Harmonising Diaphragms & Sphincters When we think about the way we move as an indicator of good health, we might picture a younger, more lively “The Rhythms Of Life”
When you attend an Awareness Through Movement class you lie on the floor and follow instructions for very precise actions from your teacher, but she “What is a “fully conscious voice”?”
I came across this quotation a few years ago now, but it is still very timely: “There is one thing that, when cultivated and regularly “BodyMindfulness – A peaceful, easy feeling…”
Current research into pain supports the view that the pain you experience is a message––your nervous system is signalling to your conscious brain that something “Figuring Pain Out with The Feldenkrais Method”